I’m thrilled to be back for the 2nd invite to this show by my good friend Rodrigo Luff who is co-curating the Moleskine Project #3 show with Spoke Art Gallery in San Francisco. Last year’s show was a hit, and I ended up selling my pieces from last year, so I’m glad to have something new to show here. This new piece is a study for “Parhelia,” a painting I am planning on working on for an upcoming show. I am excited to work on some new paintings for the Natural Patterns series that I set aside for a while. I am moving into new ways to create the texture to make it more exciting to me and dynamic to the viewer as well. I hope you stay with me as I push these series to evolution.
I took some progress shots along the way. This was pretty much done with Prismacolor Col-Erase pencils and Verithins.
The finished drawing before I sprayed it with GAC100 to seal it.
A detail of the face.
Started to paint over it with acrylic. A pretty limited primary palette.
Here is the finished painting. I will get a photo of it framed at the opening reception.
If you are in the SF Bay Area and want to see everyone else’s pieces, come by this Thursday to Spoke Art. The show begins at 6pm and ends at 10pm. Check out the line up!• Aaron Nagel • Adam Caldwell • Alex R. Kirzhner • Allen Williams • Ana Bagayan • Bradley Platz • Brun Croes • Caitlin Hackett • Casey Weldon • Charles Santoso • Christian MacNevin • Crystal Chan • Cody Miles • Craig Elliot • Craww • David Choong Lee • Edwin Ushiro • Erik Siador • Fredrik Rattzen • Greg Gandy • Henrik Uldalen • Hsiao Ron Chen • Jason Hong • Jaw Cooper • Jeremy Hush • Jeremy Mann • Jessica Hess • Joel Phillips • John Wayshak • John Wentz • Jon Lau • Karla Ortiz • Kate Zambrano • Kemp Remillard • Ken Garduno • Kim Cogan • Laura Bifano • Marco Mazzoni • Marco Nelor • Marguerite Sauvage • Max Dalton • Michael Shapcott • Miles Johnston • NC Winters • Nate Van Dyke • Nicomi Mix Turner • Nimit Malavia • Pat Perry • Patrick Mathews • Peter Chan • Rich Pellegrino • Robert Bowen • Rodrigo Luff • Ryan Lee • Ryan Malley • Sam Wolfe Connelly • Serge Gay Jr. • Sergio Lopez • So Youn Lee • Steve Kim • Tatiana Suarez • Tom Haubrick • Tran Nguyen • Ville Ericsson • Wesley Burt • Zach Montoya • Zach OldenkampThere’s got to be at least a handful of folks in here you are a fan of; otherwise, I have no idea how you found me because there are some heavy hitters in there.Time: December 5th, 2013 6-10pm.
816 Sutter Street, San Francisco, California 94109
View Map · Get Directions
I will update this post after the show. Hope to see you there.
Did this one while on a 3-week cross-Canada Tatt…tour?
View original post: http://gorillaartfare.com/illustration/tattoo-i-did-recently/
time to show a project I have been working on the recent weeks, and just finished for an exhibition/event in Tokyo, last Friday. This project was done in conjunction with the Kamishibai Bunkasuishin Kyougikai, the society for distribution of Kamishibai. Kamishibai is a japanese original type of story-telling, where a narrator will tell a story with the help of illustrated boards. Yuki Onna (The Snow-Woman) is a japanese ghost-story about a young woodcutter meeting a snow-ghost during a nightly snowstorm. The version used for these illustrations is by Lafcadio Hearn published in Kwaidan: Stories and Studies of Strange Things. You can, if you like, read the ghost-story Yuki Onna in English here. All in all 13 illustrations, which would be shown shown one by one during an actual Kamishibai narration. All work done 100% in Manga Studio/Clip Studio Paint, original size is slightly smaller than A3. Enjoy~
View original post: http://gorillaartfare.com/illustration/yuki-onna/
Here are the first images from a new series of works titled “Eremos”
“Eremos” envisions the mythological archetypes of tribal cultures living ages after the fall of civilization. These Mask designs are early explorations into gods, spirits and motifs for this world.
I’ll be continuing to work on these masks along with more narrative images based on classical mythological archetypes and will post more as they come. Thanks for looking!
View original post: http://gorillaartfare.com/illustration/eremos/
Hey everyone, sorry it’s been a little while since I last updated. I’ve been very busy creating new paintings for upcoming shows. I will have plenty of updates in the next few months, so sit tight for those. Here is one I am squeezing in just in the nick of time for an upcoming show.
This painting is for the Robert Lange Studios’ theme show: “North Vs. South.” Now, I’m not usually a fan of doing themed shows, but since this was the first time showing in an event for the gallery, I wanted to make a good impression. As you will see, the theme was interpreted very loosely by most of the artists anyway.
Those of you who have been fans of my Painted Roses series will note that I am now incorporating multiple figures in my series. I was required to create two paintings for the show, one that fit the concept of the “north” and one that fit the concept of “south.” I chose to go with Red and Blue, because it works well as two colors that go together side-by-side. Connecting the two with parts of the corresponding color bleeding into each other further connects the two.“North South East West” 2 24×12 in. oil on linen panels in a 24×24″ frame. $4000.
Here are a couple of photos that I took from my Instagram that show the progression (click to enlarge.)
Here it is, framed inside of the gallery:Here is the link to the show. Reception is this Friday evening.
Thirty painters come together to exhibit, North vs South, featuring two works of the same size from each artist, one that is inspired by the subject or theme South and one by subject or theme North. This event is part of CFADA’s Fine Art Annual weekend.
5-8 PM November 1st, 2013. ALL ARE WELCOME
Some notes on the process: For a majority of the figure painting I was using lead white to paint the skin. Compared to titanium white, the tinting strength and handling is so much more subtle. It’s like the difference between using cobalt blue and phtalo blue. No dealing with ruining light-side mixtures by accidentally mixing too much white into the pile. If you are interested in doing high-key paintings, I suggest trying it, because I think it would be so much easier because there are so much less value jumps in your mixing.
View original post: http://gorillaartfare.com/illustration/north-vs-south/
View original post: http://gorillaartfare.com/illustration/an-animal-crossing-fan-art/
Literally the day after getting home from Mendocino, I started the Sonoma Plein Air event. The idea was to use Mendocino as a warm-up.
Day 1Canvases are stamped early in Sonoma. Once I checked in, it was time to decide where to go. Indecision is the hidden enemy of the plein air event. If you can plan out where to go beforehand, you can save a lot of time driving around that you should be using for painting. I ended up on Lakeville Road just outside of Petaluma to do this painting.“Lakeville Summer” 11×14 in oil on linen board. SOLD“The Old Commute” 9×12 in oil on linen.Got some lunch in downtown Petaluma(Mi Rancho, one of my fave cheap lunch spots) then drove down Highway 101 out to the edge of Sonoma County’s south side. I found a large pullout to paint a scene I’ve been wanting to do for the longest time. I pass it every time I go to San Francisco, so most locals know where it was.“The Petaluma Fishing Spot” 8×10 in oil on linen board.It was a warm day, and dehydration is another hidden enemy of the plein air event. I went back into to town to get a huge pink lemonade at In-N-Out with lots of ice… ahhh, much better. Ready to paint another. I ventured a half-mile over to Shollenberger Park where I painted this view across the river. The 101 is just beyond the oak.From here I went over to the Ramekins in Sonoma to meet and greet the rest of the artists, some of the hosts, and some of the best-tasting finger food I’ve had in a while.
Day 2Crashed and burned on a painting I did in Spring Lake before getting lunch with other artists at the Quarryhill Botanical Gardens. It’s a place I’ve wanted to visit for months now, so it was nice to get a free preview on behalf of the event organizers. Gorgeous gardens with much variety and some solid views if you go far enough up the hill.“Quarryhill Color” 6.5×9.5 oil on linen board.“Return To Autumn” 6.5×9.5 oil on linen board.Quick Draw: We started our paintings at 4:30 and had to have them framed and up for display by 6:00, so it was a quick draw indeed. I think I handled the light decently well, but my cropping of the scene may have made it too obscure to be recognizably Sonoma. Might just have to do the clock tower next year.
Day 3“Bodega Harbor Haze” 14×18 in oil on linen.I went to the coast on Wednesday which turned out to be a perfect day to do it. A perfectly clear day of sunshine with almost no wind. I stopped at the harbor on my way to Bodega Head and painted the misty morning before the fog completely dissipated.“A Rare Day In Bodega Bay” 16×20 in oil on linen. SOLD.The day was still warm, the wind still hadn’t come in yet, so that meant it was time to paint the most ambitious piece of the week. This was a large complex piece where so many things could have gone wrong. Fortunately I kept up the juggling act which is plein air painting for the required 2.5 hours it took to complete this painting.“Coastal Jade” 6×8 in oil on linen.I drove north up the 1 and stopped at Gleason Beach to paint this little scene. I had fun playing with the colors I saw.“Harvest Moon In The East” 8×10 in oil on linen.Came back into town to escape the wind that had started to kick up at the coast. I painted a scene near the Laguna De Santa Rosa, which is a favorite place of mine to paint. The moon was gorgeous as was the sky. This is the only painting I did over 2 days, because I came back the next day to work on it some more.
Day 4“A Need For Sure Footing” 6×8 in oil on linen.I had planned on spending the day in Sugarloaf so that’s what I did. Started in the morning near the dried-up waterfall(bet it’s raging now after yesterday’s downpour…) I enjoy painting creeks but they are more fun when the water is flowing through them.“Anticipating Exploration” 11×14 in oil on linen.It took me a little while of hiking around the meadows near the parking lot to find a view that spoke to me. I can probably come back and repaint this scene to tweak the design into something stronger, but hey, decent study.“Lion Rock” 6.5×9.5 oil on linen board.
The hike up to this scene was long and arduous, but worth it in my opinion. There is a plethora of views up there, but this was one I had wanted to paint for a while. I like this piece on its own, but I may do a larger piece of it sometime.
Day 5“Barely Holding On” 9×12 in oil on linen.For my last painting of the week I drove down Stony Point to paint a scene I have wanted to do for years and never got around to. These barns have been crooked for years. Very surprised they’re still around considering all the stuff they are fighting to tear down. #localpoliticsTime to finish framing in time to get everything ready for tomorrow. 4:00 clock rolls around and it’s time for the Opening Gala. To get a detailed recap about how that night went, please go to my previous blog post:
Sales DayMy wet, wet booth.I already knew earlier that it was going to rain on the day of the sale, so I was prepared for the worst. Being prepared did not make me any happier of a camper. There were still a decent amount of people who checked the art out, despite the weather. Bless their hearts. I managed to squeak another sale in at the final hour, but for the most part it was slim pickings for a lot of artists. Being a Sonoma County native I am confident that I can sell plenty of these in my local gallery, so I am not that bummed out about it yet. Besides, the prize money and two sales made it the most financially successful plein air event of the year for me. Being the big winner can mean all sorts of great new opportunities for me in the future, so I am excited to see what this will lead to.•
It’s literally the night I got home from Mendocino after painting. I am about to go to bed and wake up to start painting in Sonoma in the morning. I want to do this quick recap before I spend the whole week painting my butt off with no time to write this before I finish the event in Sonoma.
Since it was an “open paintout,” artists came in to town to start painting anytime during the week they wanted to. I started painting on Thursday, which seemed a little late compared to everyone else. Since I had to bring in my paintings the next day at 5:00 for judging, I really didn’t give myself time to hit my stride. The 3 paintings I did were all I was able to do in that time.Done at Van Damme State Park. The only time I had sunshine during the event.“Standing on Glass” 9×12 in. oil on linen board.The next morning I started this painting at Glass Beach in Fort Bragg, right next to where I was staying. It’s called Glass Beach because the glass bottles that used to litter the beach were sculpted into “gems” by the ocean waves.“Whispers of Sunshine” 16×20 in. oil on linen board.This painting was done over 2 days. I started it at 6pm Thursday night, and finished it at 3pm the next day. The one nice thing about painting on gray days is that the light is constant, so as long as both days are gray, you can start a painting at whatever time you want and finish whenever as well.We were only allowed to pick one painting for judging. This was the Best Of Show award winner by artist Macario Pascual. His work was new to me but he is a fine painter and really nice guy. I went back and forth between choosing whether I should have went with “Standing On Glass” or “Whispers of Sunshine.” I went with Whispers of Sunshine, but based on the feedback I should have probably gone with Standing on Glass. I still feel like Whisper of Sunshine is a better painting than Standing on Glass, but I could just be suffering from “artist’s blindness.” What do you think? Which one should I have went with?This was my 9×12″ quick draw. I spent the whole two hours on it. Some said it was ambitious to paint something like this for a quick draw, but with the cropping the way it is, I really didn’t have to spend that much time on the complex parts.
After the quick draw, there was time to kill before the reception. I went exploring so I went to the Point Cabrillo Light Station park. There is plenty to see along the cliffs here. Here was a pretty quick study.
I only had this format for a painting, but I think I found an interesting crop for this scene. Interesting thing happened to me on my way back to the parking lot. I was stopped by a couple of park rangers who asked me, “gone fishing?” Fishing?? No… I was painting, and I told them so. Apparently, from where they stood, my setup resembled some sort of fishing apparatus. They had to come by and make sure I wasn’t pulling any shenanigans.
The next morning was time for me to head back home. I was going to go down the 1 and stop at some places that I wanted to paint. One of them was the Jug Handle State Natural Reserve. It was a gloriously sunny day today, the type that makes you want to paint way better than on a gray day. The colors of the coast really come alive.
It took me a little while to fine Bowling Ball Beach (located in Schooner Gulch State Park) but the journey was worth it. The entire beach has really interesting sheer cliffs, but the namesake comes from the boulders that have been shaped over the years to resemble bowling balls. I was drawn to paint this location because of the great colors of the warm shadows in the cliffs.
My last painting was done in a really remote beach on the very northern part of Salt Point State Park. Salt Point is one of my favorite places in Sonoma County. It’s so rugged and unique. I almost finished this painting before the fog finally crept back in and killed the light. At this point I feel good about starting Sonoma.
I think the event is fairly well-run for a first time event. There were over seventy participants! The event ran very well for the amount of people who participated. The quality of painter was a bit uneven as to be expect in a non-juried show. There were some sales but mostly under $500. The prizes were modest but fun. Not sure why Mendocino doesn’t attract more collectors of plein air, but I am sure it’s because the Mendocino Art Center is really the only art venue in town, and plein air paintings aren’t their only focus. I hope that next year they can attract more serious patrons. I would give the event another shot, but I will make sure to start earlier. Hoping for less gray skies.
Additional photos and videos can be found at my Instagram account.
View original post: http://gorillaartfare.com/illustration/mendocino-open-paint-out-2013-recap/
Here’s a study of Rob Crow from the band, Pinback. Painted because I finally get to see them after missing them multiple times over the years. Hope you like it, and thanks for looking!
View original post: http://gorillaartfare.com/illustration/pinback/
Just a quick style experiment for upcoming projects and ideas.
View original post: http://gorillaartfare.com/illustration/void-experiment/